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Lucanian Pasta Ribbons with Chickpeas | Lagane e Ceci alla Lucana

Sep 17
12 min read
Lagane e Ceci alla Lucana (Lucanian Pasta Ribbons with Chickpeas)
Lagane e Ceci alla Lucana (Lucanian Pasta Ribbons with Chickpeas)

Lagane are the oldest shape of pasta still cooked in Italy, and in Basilicata they are still cooked the oldest way: with chickpeas, garlic, olive oil and almost nothing else. The pasta is a broad ribbon of durum semola and water, cut by hand and left deliberately thick and uneven. It was never meant to be elegant. It was meant to hold a legume sauce without dissolving into it.

Everything depends on one liquid. Chickpeas cooked slowly from dry give a cloudy broth loaded with starch and saponins, and that broth, not butter and not cream, is what makes the dish velvety. Throw it away and you have boiled pasta with chickpeas on top. Keep it and finish the pasta in it, and you have a sauce that coats every ribbon.

The second decision is how many chickpeas to crush. Break them all and the dish becomes a purée, leave them all whole and nothing binds. Crushing roughly a third against the side of the pan gives body to the liquid while the rest stay intact, so each spoonful carries the cream and the bite. That balance, plus a ribbon thick enough to stay chewy, is the whole recipe.

Yield: 4 servings. Soaking: 12 hours. Pasta: 45 minutes plus 30 minutes resting. Chickpeas: 1 1/2 to 2 hours. Final assembly: 10 minutes. Difficulty: intermediate. Course: primo piatto. Region: Basilicata, from the Materano to the Val d'Agri.


The Story


Lagane carry a Latin name. Laganum appears in Horace, who writes of a supper of leeks, chickpeas and laganum, and in Apicius as a sheet of dough. The word survives almost unchanged in Lucanian dialect while the rest of Italy moved on to lasagne and tagliatelle, and the pairing Horace mentions is still the exact dish served in Basilicata today. Few recipes in Europe can be traced in a straight line over two thousand years.

The practical reason it survived is storage. Dried chickpeas and hard wheat both keep for a year in a cool dry room, which mattered in an inland region with poor roads, hard winters and very little meat. A house could eat well from two sacks. In the Materano and around Potenza it was the Friday and Lenten dish, and in many villages it still appears on the nineteenth of March, the feast of San Giuseppe.

It is also a dish of a particular chickpea. Basilicata grows the ceci di Pomarico, small, pale and thin skinned, which cook to a soft interior without the skins turning leathery. Local cooks use no soda in the soaking water and no tomato in the pan. The seasoning is garlic, good oil, a dried peperoncino and, in some houses, a crumbled peperone crusco at the end.


Ingredients


For the chickpeas

  • Dried chickpeas, 1 1/2 cups (300 g), preferably a small thin skinned variety

  • Cold water for soaking, 8 cups (2 litres)

  • Fine sea salt for the soaking water, 1 tsp (6 g)

  • Fresh cooking water, 8 cups (2 litres), plus hot water as needed

  • Garlic clove, 1, lightly crushed

  • Bay leaf, 1

  • Extra virgin olive oil, 1 tbsp (15 ml)

  • Fine sea salt, about 1 1/2 tsp (9 g), added near the end

For the lagane

  • Fine durum wheat semola rimacinata, 2 1/3 cups (350 g)

  • Warm water, about 3/4 cup (180 ml)

  • Fine sea salt, 1/2 tsp (3 g)

  • Semola for dusting, about 3 tbsp (30 g)

For finishing

  • Extra virgin olive oil, 4 tbsp (60 ml), the best you have

  • Garlic cloves, 2, thinly sliced

  • Dried peperoncino, 1 small, crumbled, or to taste

  • Flat leaf parsley, 1 tbsp, chopped, optional

  • Reserved chickpea cooking liquid, about 2 cups (480 ml)

  • Coarse sea salt for the pasta water, about 1 tbsp (18 g) for 4 quarts

  • Freshly ground black pepper, to taste


Preparation


Soak the chickpeas in salted water

Put the chickpeas in a large bowl, cover them with 8 cups (2 litres) of cold water and stir in a teaspoon of fine salt. Salted soaking water is not a superstition: the sodium displaces calcium and magnesium bound into the skins, and those skins then soften instead of staying tough however long you cook them. Leave the bowl at cool room temperature for 12 hours, then drain and rinse. Never use bicarbonate of soda, which softens the chickpeas by damaging them and leaves a soapy taste.


Cook the chickpeas slowly and salt them late

Put the drained chickpeas in a heavy pot with 8 cups (2 litres) of fresh water, the crushed garlic, the bay leaf and a tablespoon of olive oil. Bring it up slowly and hold it at the barest simmer for 1 1/2 to 2 hours, topping up with hot water so they stay covered, and skim the grey foam in the first ten minutes. Add the salt only when they are almost tender, since salting early slows the softening of the interior. They are ready when one crushes to a smooth paste with no chalky core.


Reserve the cooking broth

Take the pot off the heat and let the chickpeas sit in their liquid for 15 minutes to reabsorb some of what they gave up. Lift them out with a slotted spoon and keep at least 2 cups (480 ml) of the broth hot in a jug. This cloudy liquid is the sauce of the dish, so do not pour it away and do not replace it with plain water later. Discard the bay leaf and the spent garlic.


Mix and knead the lagane dough

Heap the semola on a wooden board, stir in the salt and make a well. Add most of the warm water and pull the flour in with your fingertips, adding the rest only if the mass refuses to come together. Knead firmly 8 to 10 minutes: the dough should end up smooth, tight and distinctly harder than an egg pasta. Wrap it and rest it 30 minutes so the semola finishes hydrating and the gluten relaxes.


Roll and cut the ribbons by hand

Cut the dough in four, keep three pieces covered and roll the fourth on a dusted board to about 1/16 inch (1.5 mm). Lagane are meant to be thicker than tagliatelle, so stop while the sheet is still slightly opaque. Dust it, fold it loosely and cut ribbons about 3/4 inch (2 cm) wide, then cut those into lengths of 4 to 6 inches (10 to 15 cm). Shake them loose, dust with semola and spread them on a tray in a single layer. Do not use a machine: the point of lagane is an uneven edge and a rough face.


Build the garlic and chilli base

Warm the finishing olive oil in a wide pan over low heat with the sliced garlic and the crumbled peperoncino. Keep the heat low enough that the garlic barely whispers and take it to pale gold only, 3 to 4 minutes. Browned past that it turns bitter, and in a dish with four ingredients that bitterness has nowhere to hide. Add two thirds of the chickpeas and a cup of hot broth and bring it to a gentle simmer.


Crush part of the chickpeas to build the cream

Press about a third of the chickpeas against the side of the pan with a wooden spoon, leaving the rest whole. As they break, their starch disperses and the liquid thickens and goes opaque. Simmer 5 minutes to concentrate it, then add the remaining whole chickpeas and correct the salt now, while it still has time to spread through the liquid. The sauce should stay looser than you want it at the table.


Boil the lagane briefly and keep the water

Bring 4 quarts (4 litres) of water to a boil and salt it with about 1 tablespoon (18 g), lighter than usual because the broth is already seasoned. Drop the lagane in, stir at once so the ribbons separate, and cook 2 to 4 minutes only. Pull them clearly firmer than you want to eat them, since they keep cooking in the sauce, and save a mug of the water.


Finish the pasta in the chickpeas

Lift the lagane into the chickpea pan with a spider, still wet, and raise the heat to medium. Toss and fold for 2 to 3 minutes, adding hot broth a ladle at a time, so the ribbons finish in the sauce and their starch joins the chickpea starch. The liquid should tighten to a glossy cream that slides slowly off the spoon. Off the heat, add the last tablespoon of oil and a grind of black pepper and shake the pan hard for a few seconds to emulsify. Add parsley if you like and serve at once.


Plating


Serve it in warm shallow bowls, wide enough that the ribbons lie flat rather than piled up. The dish sits between a pasta and a thick soup, and a deep bowl makes it look like the second when it should look like the first. A cold bowl thickens the chickpea cream within seconds.

Lift the lagane with tongs and let them fall in loose folds, then spoon the chickpeas and their cream over them so whole chickpeas stay visible between the ribbons. A little liquid should settle at the base of the bowl. If none does, the sauce went too far and needs a spoonful of hot broth stirred back in.

Finish with raw olive oil poured in a thin spiral, black pepper, and nothing else. No grated cheese: the fat and the body come from the legume and the oil, and pecorino would bury both. Bring the bottle of oil to the table.


Professional Technique


The technical heart of the dish is what dissolves into the broth. Chickpeas release an unusual amount of saponin, a natural surfactant, and that surfactant is what lets the broth hold olive oil in suspension when you shake the pan at the end. It is the same substance that makes aquafaba whip like egg white, and it is why oil in hot chickpea liquid turns creamy instead of separating into slicks, with no dairy involved.

The salted soak is the second piece of real technique. Chickpea skins are held rigid by pectin cross linked with calcium and magnesium ions, and soaking in salted water swaps some of those ions for sodium, weakening the links so the skins soften as the interior does. Soaking in plain hard water gives the familiar mealy chickpea in a tough jacket, and no amount of extra simmering fixes it.

The third is the thickness of the pasta. A thin sheet has little interior, so in a starchy sauce it hydrates through in seconds and turns slack. A ribbon at about 1/16 inch (1.5 mm) keeps a firm core long enough to survive three minutes in the pan, and its rough hand cut surface gives the cream something to hold. This is the rare case where rolling thinner makes the dish worse.


Texture and Moisture Control


Two textures pull in opposite directions. The chickpea cream keeps thickening, because starch goes on gelatinising as it sits, and the pasta keeps softening, because it drinks the liquid around it. Between the pan and the table the dish can travel from perfect to stodgy in two minutes, so finish it looser than you think and keep the hot broth beside you until the bowls are down.

Temperature governs the emulsion. Add the final oil off the heat but with the pan still hot, then agitate hard: the oil breaks into droplets that the saponins and the starch hold in suspension and the sauce turns opaque and glossy. Add it over direct heat and the emulsion breaks at once, leaving a greasy film over a watery layer. If that happens, pull the pan off, add two spoonfuls of hot broth and shake again.

The chickpeas must finish completely soft. One with a chalky centre will not crush, will not release starch and feels gritty against a soft ribbon. Test three from different parts of the pot before draining, since chickpeas from one bag can vary by twenty minutes. Old chickpeas take far longer and sometimes never soften, which is a reason to buy where there is turnover.


Professional Mise en Place


This is a two day dish in service and a one day dish at home. Almost everything is done ahead, and only the last three minutes are critical.

Equipment and tools

  • A heavy pot of 4 to 5 quarts for the chickpeas, with a tight lid

  • A wooden board and a long rolling pin, no pasta machine

  • A wide sauté pan big enough to toss the pasta, a spider, a wooden spoon and a jug for the broth

Prepared ahead

  • Chickpeas soaked overnight and cooked the day before, stored in their own broth

  • The lagane, cut up to 3 hours ahead and left uncovered on a semola dusted tray

  • Garlic sliced and the peperoncino crumbled, kept separate and dry

  • Broth measured into a jug and reheated at the start of service

Service setup

  • Chickpea broth held just below a simmer, never cold, beside the pan

  • Pasta water at a rolling boil and lightly salted, since the broth is already seasoned

  • Bowls warming, the good olive oil open and the pepper mill filled

  • Everything else finished, because the last three minutes cannot be paused


Chef Tips


Cook the chickpeas the day before and leave them in their liquid overnight. They go on absorbing broth and season right through instead of only at the surface, and the liquid thickens as it cools, which gives a better starting point for the sauce.

If you must use canned chickpeas, do not use the canning liquid, which tastes metallic and is salted for preservation. Drain and rinse them, then simmer 15 minutes in vegetable broth with a garlic clove and a spoon of oil to build a usable liquid. It works, but it will not have the body dried chickpeas give.

Roll and cut the lagane while the chickpeas are on the stove. Fresh semola ribbons left more than a few hours crack at the edges and lose the elasticity that keeps them from breaking in the pan.

Taste the olive oil on its own first. Four tablespoons of raw oil go into four servings and it is the loudest flavour on the plate, so a tired bottle will be obvious. A peppery southern oil with a bitter edge is what the chickpeas want; a mild one disappears.


Common Mistakes


Throwing away the chickpea broth. That cloudy liquid is the entire sauce. Finishing the pasta with plain water instead gives a dish with no body, and no amount of oil afterwards rescues it.

Adding bicarbonate of soda to the soak. It softens the skins, but it destroys thiamine, turns the surface mushy while the centre stays firm and leaves a soapy aftertaste. Salt in the soaking water does the same job properly.

Salting the chickpeas at the start of cooking. Salt added at the beginning slows the softening of the interior, so the chickpeas take far longer and often stay chalky. Season them when nearly tender.

Rolling the lagane too thin. A delicate sheet has no core to survive the finishing and collapses into soft shreds. Stop at about 1/16 inch (1.5 mm), while the sheet is still slightly opaque.

Browning the garlic. In a dish with four ingredients, bitter garlic is the flavour everyone tastes. Keep the oil at a whisper and take the slices to pale gold, no further.

Serving it tight. The pasta goes on drinking the sauce in the bowl, so what looks perfect in the pan is stodgy by the time it is eaten. Finish it visibly looser and send it out at once.


Wine Pairing


Matera Greco DOC: The local white and the most exact match here, grown on the limestone of the Murgia a short drive from where this dish belongs. Greco gives a firm, almost stony acidity and a note of yellow apple and bitter almond that follows the raw olive oil instead of fighting it, with enough weight to sit beside a starchy legume sauce.

Grottino di Roccanova Bianco DOC: A small Lucanian appellation from the Agri valley, and exactly the bottle poured in Basilicata with a Friday plate of pasta and legumes. It is soft and gently aromatic with moderate acidity, which suits a dish that has no acidity of its own, and its quiet finish leaves the chickpea sweetness intact.

Malvasia Bianca di Basilicata IGT: Take the dry still version, not the sweet one. Malvasia grown on the volcanic soils around the Vulture keeps a floral, faintly peachy aroma over a dry mineral body, and that perfume lifts a dish whose own aroma is mostly garlic and oil. Serve it at 50°F (10°C), since warmer the aromatics turn heavy.

Fiano di Avellino DOCG: From the Campanian hills next door, and the most structured white here. Fiano has a waxy hazelnut and smoke character that echoes the toasted quality of good olive oil, and acidity high enough to cut the emulsified sauce. A bottle with two or three years on it beats a brand new vintage, which can be austere.

Locorotondo DOC: The Apulian option, light and inexpensive, for anyone who wants the wine in the background. Verdeca and Bianco d'Alessano give a pale delicate wine with green apple fruit and a clean bitter close, low in alcohol and very fresh. It refreshes between mouthfuls without adding a fifth flavour to a plate that has four.


Storage & Reheating


Cooked chickpeas keep beautifully. Stored submerged in their own broth in a sealed container they hold 4 days in the refrigerator and 3 months in the freezer, broth included. Freeze them in single meal quantities, since the broth thins on thawing and repeated freezing ruins its body.

Raw lagane are best cooked the day they are cut. They hold 24 hours on a semola dusted tray in the refrigerator, loosely covered, but the edges dry and crack. For longer, freeze them in a single layer until firm, bag them and boil from frozen with one extra minute.

Once dressed, the dish keeps only a day. Refrigerate it within two hours, sealed, and reheat it in a wide pan over low heat with 3 or 4 tablespoons of chickpea broth per portion, stirring gently until the sauce loosens and comes back together. It will be softer, so serve it as a thick minestra rather than pretending otherwise. Do not freeze it: the pasta turns to paste on thawing.


Nutrition


Per serving, based on 4 servings:

  • Calories: 610 kcal

  • Total Fat: 20 g

  • Saturated Fat: 3 g

  • Trans Fat: 0 g

  • Unsaturated Fat: 16 g

  • Cholesterol: 0 mg

  • Sodium: 640 mg

  • Total Carbohydrates: 88 g

  • Fiber: 15 g

  • Total Sugars: 9 g

  • Added Sugars: 0 g

  • Protein: 22 g

  • Principal micronutrients: folate, iron, manganese, magnesium, phosphorus, potassium, vitamin K

These figures are estimates. The dish is naturally free of cholesterol and lactose, and the sodium depends on how the chickpeas and the pasta water were salted.


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