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Bari Focaccia | Focaccia Barese

Sep 30
11 min read
Focaccia Barese (Italian Bari Focaccia)
Focaccia Barese (Italian Bari Focaccia)

Focaccia barese is the round pan bread of Bari, tall and soft inside, with a base fried golden in olive oil and a top pressed with sweet cherry tomatoes and black olives. It is eaten warm from the oven, standing up, with no plate and no fork.

The dough is humble. The pan, the oil and the timing decide everything.

Yield: 8 slices. Prep: 30 minutes. Rise: 2 hours 15 minutes. Bake: 28 minutes. Difficulty: intermediate. Region: Puglia, Bari.


The Story


In old Bari nobody owned an oven. Families kneaded at home and carried their dough through the lanes of the old town to the neighborhood baker, the fornaio, who fired a wood oven at dawn and charged a small fee or kept a piece of dough as payment. That leftover dough was flattened into a tray, dressed with oil and salt and sold hot to the first customers. This is the ancestor of the focaccia barese. The habit of buying bread warm, by weight, from the same counter every morning has never left the city.

The tomatoes came later. Once they crossed the ocean and settled into the red soil of Puglia, the small sweet cherry varieties grown under the dry summer sun became the natural topping, joined by the black olives of the surrounding groves and a pinch of oregano dried on the hills. Durum wheat, the great grain of the region, gave the crumb its yellow tint and its chew, and boiled potato softened it. Nothing else was ever added, and nothing else is needed.

The ovens shaped the food. A wood oven is hottest right after it is fired, and the bakers used that first blast of heat for the flat breads, the focacce, before the tall loaves went in. A pan of oiled dough cooked in minutes, cost almost nothing and fed a hungry laborer before the morning shift. Puglia has always been a land of farmers and fishermen who left home before sunrise, and a piece of warm focaccia was the breakfast that fit that life.

Today the focaccia is part of the daily rhythm of the city. Bakeries in Bari Vecchia and along the seafront sell it by the slice from early morning, and it is eaten for breakfast, as a mid morning snack, at the beach or on the walk to school, wrapped in a square of paper that turns translucent with oil. Barese emigrants have carried it across the world, and every one of them will tell you that the copies never taste the same.

What makes the original recognizable is not a secret ingredient but a set of habits: a heavily oiled dark pan, a soft and wet dough, tomatoes pressed in by hand, and a base that crackles when you tap it. This recipe follows those habits closely, without shortcuts and without decoration. If it disappears from the pan in one sitting, as it usually does, you have done it right. Nobody in Bari would ask for more than that, and nobody would call it anything but breakfast.


Ingredients


Quantities are for one 12 inch (30 cm) round focaccia, enough for eight slices. Choose small ripe tomatoes that taste sweet raw, good olive oil with a fruity peppery edge, and fine semolina, which has a softer texture than the coarse kind.

For the dough

  • Semola rimacinata (fine durum semolina), 2 cups (320 g)

  • Bread flour, 1 1/2 cups (190 g)

  • Starchy potato, boiled, peeled and mashed, 5 oz (140 g)

  • Instant yeast, 2 1/4 tsp (7 g)

  • Lukewarm water, 1 1/4 cups (300 ml), about 95°F (35°C)

  • Fine sea salt, 2 tsp (12 g)

  • Granulated sugar, 1 tsp (4 g)

  • Extra virgin olive oil, 2 tbsp (30 ml), for the dough

  • Extra virgin olive oil, a little, for the bowl

For the pan

  • Extra virgin olive oil, 1/3 cup (80 ml)

  • Dark steel or dark aluminum round pan, 12 inch (30 cm) wide and 1 1/2 inches (4 cm) deep

For the topping

  • Ripe cherry tomatoes, 10 oz (285 g)

  • Pitted black olives, Termite di Bitetto or Cerignola, 1/2 cup (75 g)

  • Dried oregano, 1 tsp (1 g)

  • Coarse sea salt, 1 tsp (5 g)

  • Extra virgin olive oil, 2 tbsp (30 ml), for the surface

For finishing

  • Fresh oregano leaves, a few

  • Extra virgin olive oil, 1 tbsp (15 ml), brushed on the hot crust

  • Freshly ground black pepper, optional

  • Flaky sea salt, a small pinch, optional


Preparation


Boil and mash the potato

Cover the whole potato with cold water, add a pinch of salt and simmer for 20 to 25 minutes, until a knife slides in without resistance. Drain and peel it while it is still hot, using a towel to protect your fingers. Mash it completely smooth with a fork or a potato ricer and let it cool to lukewarm. Any lumps will show up later as dense spots in the crumb, so take your time here. Save a spoonful of the cooking water in case the dough needs it.


Mix and knead the dough

Whisk the semolina, flour and salt in a large bowl. In a small bowl, stir the yeast and sugar into the lukewarm water and wait 5 minutes, until the surface is foamy. Add the yeast water, the mashed potato and the 2 tablespoons of olive oil to the flour and mix into a wet, sticky dough. Knead by hand on a lightly oiled counter or with a dough hook for about 10 minutes, until the dough is smooth, elastic and still soft. Do not add extra flour: this dough must stay wet, and the stickiness is what gives the crumb its open structure.


Let the dough rise

Transfer the dough to a large bowl brushed with oil, turn it once to coat the surface, cover it with a plate or a towel and leave it in a warm corner of the kitchen at about 75°F (24°C). After 1 hour 30 minutes it should have doubled, with a domed, bubbly surface and a smell of fresh yeast. In a cool kitchen allow up to 2 hours, and judge the dough by its volume, not by the clock.


Oil the pan and stretch the dough

Pour the 1/3 cup (80 ml) of oil into the pan and tilt it so the oil reaches the corners. Turn the dough into the pan, flip it once so both sides are coated and press it gently toward the edges with your fingertips, without tearing it. If the dough springs back, cover it, rest it for 10 minutes and press again. Cover the pan and let the focaccia rise a second time for 45 minutes, until it is puffy and nearly fills the pan.


Dimple and dress the surface

Heat the oven to 450°F (230°C) with a rack on the lowest level. Oil your fingertips and dimple the risen dough all the way to the bottom of the pan, without deflating the edges. Halve the tomatoes, crush them in your fingers and sink them into the holes, cut side up. Scatter the olives over the surface, add the dried oregano and the coarse salt, and drizzle the remaining 2 tablespoons of oil evenly over everything.


Bake and unmold

Bake on the lowest rack for 25 to 30 minutes. The focaccia is done when the edges are deep gold, the tomatoes have shrunk and darkened slightly, and the center reads 205°F (96°C) on a probe thermometer. Slide a spatula around the rim, lift out the focaccia at once and set it on a wire rack. Lift a corner to check the base: it should be amber and crackling, with small bubbles of oil frozen in the crust. Brush the crust with a spoonful of fresh oil, add a few oregano leaves and leave it for 5 minutes before you cut it.


Plating


Bari serves focaccia the way it is sold: straight from the oven, cut into squares or wedges, on a wooden board or in paper. Cut with a serrated knife using a sawing motion, so the crisp base does not shatter and the tomatoes stay in place.

For a table setting, present the whole round on the board, scatter a few fresh oregano leaves over the top and pass a small jug of good olive oil. Serve it at warm room temperature, never cold. It pairs naturally with fresh burrata, thin slices of mortadella, or a plate of raw fennel and radishes. Skip the sauce: the tomatoes on top are the sauce. Leftover wedges, if there are any, make a good sandwich the next day, split and filled with a slice of provolone and a few leaves of arugula.


Professional Technique


The defining feature of a focaccia barese is its base: golden, crisp, almost fried. It cannot be made on parchment or on a sheet pan lined with paper. It needs a dark steel or dark aluminum pan, greased generously, where the oil on the bottom reaches frying temperature and seals the dough while the rest bakes. The pan is the frying vessel.

Choose a dark pan because color controls how fast heat enters the metal. Dark surfaces absorb radiant heat from the oven, so the oil at the bottom climbs well above 350°F (175°C) within minutes. A bright, shiny pan reflects that heat, the oil stays warm rather than hot, and the base steams pale and doughy instead of frying. For a 12 inch (30 cm) pan, pour in 1/3 cup (80 ml) of oil, enough to pool a few millimeters deep. It will look excessive, but the dough drinks some and the rest does the frying. Skimp and the bottom turns dry and pale.

The tomatoes are handled with equal purpose. Crush them with your fingers and push them deep into the dimples instead of laying them on top. Pressed in, their juice is trapped in the crumb and cooks down to a sweet jam. Left on the surface, it runs across the top, wets the crust and leaves gray patches.

Once baked, unmold immediately. If the focaccia cools in the hot oily pan, the steam from the crumb condenses on the base and the oil is reabsorbed, turning the crisp bottom soft within minutes. On a wire rack, air reaches every surface and the crust stays crackling.


Texture and Moisture Control


The interior should be soft, open and moist, with a faint chew from the durum. Hydration is high, about 80 percent of the flour weight once the moisture in the potato is counted, and that wet dough is what creates large irregular bubbles as the yeast expands during the second rise. A stiff dough gives a bready, tight crumb no matter how well it bakes. The potato adds starch that holds water through the bake, so the crumb stays tender for hours.

Semolina absorbs water more slowly than wheat flour, so the dough tightens as it rests. That is why you knead first and judge the consistency only after the rise. Salt on the tomatoes draws out juice during baking, concentrating their sweetness and keeping the dough beneath them from turning soggy.

Bake at high heat to get a burst of oven spring and a fast crust. At 450°F (230°C) the surface sets before the interior dries out. Resting the bread for 5 minutes before cutting lets the crumb finish setting, so the slices hold together and the moisture stays inside rather than leaking out. Cutting too early releases steam and leaves a gummy center.


Professional Mise en Place


This is a two rise bread, so most of the work is waiting. Organize the day around the two rises and the oven.

Equipment and tools

  • Dark steel or aluminum 12 inch (30 cm) pan, 1 1/2 inches (4 cm) deep

  • Large mixing bowl and a dough scraper

  • Probe thermometer and a wide metal spatula

  • Serrated knife and a wire cooling rack

  • Pastry brush for the finishing oil

Prepared ahead

  • Potato boiled, mashed and cooled the day before, refrigerated

  • Olives pitted and drained, tomatoes washed and halved

  • Dough kneaded and left to rise in an oiled bowl

  • Oregano measured out and the oil poured into a small jug

  • Pan greased and dough shaped up to 2 hours before baking, kept covered

Service setup

  • Oven fully preheated for at least 30 minutes with a rack on the lowest level

  • Pan oiled just before the dough goes in

  • Board and knife ready near the oven, focaccia cut within 5 minutes of unmolding

  • Olive oil and fresh oregano at the table for the final touch

  • Paper or wooden boards for serving, kept away from steam


Chef Tips


Use the ripest cherry tomatoes you can find. Pale, hard tomatoes stay sour and watery in the oven and cannot be rescued with sugar. If they are not in season, small canned tomatoes drained well work better than fresh ones.

Keep the dough wet and your fingers oiled. Flour on your hands is the quickest way to ruin the texture, and a bowl of oil next to the pan makes dimpling easy.

Preheat the oven for a full 30 minutes. A fully hot oven gives the fast blast of heat that the fried base depends on. If your oven runs cold, add 25°F (15°C) and watch the base. A dark pan browns faster than a light one, so check early.

Taste one olive before adding them all. If they are very salty, rinse them and reduce the coarse salt on top. Peek under one corner with a spatula before you pull the pan out.


Common Mistakes


Using parchment or a light pan. Paper insulates the dough from the oil and a bright pan reflects heat, so the base never fries. Use a dark pan and bare oil.

Skimping on the oil. Too little oil leaves a dry, pale bottom. It should look generous in the pan before the dough goes in.

Adding flour to a sticky dough. It makes the crumb dense and bready. Oiled hands handle a wet dough perfectly well.

Leaving the focaccia in the pan. Trapped steam softens the base within minutes. Unmold at once onto a rack.

Skipping the second rise. Without it the focaccia bakes flat and heavy, with no open crumb. Wait until the dough is puffy and nearly fills the pan.

Overbaking. Past 30 minutes the crumb dries and the olives turn bitter. Pull it when the center reads 205°F (96°C).

Using cold tomatoes straight from the refrigerator. They chill the surface of the dough and release more water in the oven. Bring them to room temperature and crush them just before topping.


Wine Pairing


Locorotondo DOC: The natural local partner, from the white hills of the Valle d'Itria, a short drive south of Bari. Its crisp acidity, green apple fruit and light body refresh the palate after each bite of olive oil and fried crust. Its own mild saltiness makes it a friendly match for the sapid olives and the salted crust.

Falanghina del Sannio DOC: A dry white with citrus, pear and a lightly bitter finish. The acidity cuts through the oil in the base, while the fruit matches the sweetness of the roasted tomatoes without overpowering them. Its medium body stands up to the chewy durum crumb.

Cerasuolo d'Abruzzo DOC: A dry rosé with cherry and strawberry fruit, medium body and bright acidity. It echoes the red tomato on top, while a soft touch of tannin handles the oregano and the olives. Serve it cool, at about 50°F (10°C), and the freshness balances the warm oily focaccia.

Trento DOC: A classic method sparkling wine, dry and precise. The fine bubbles and high acidity scrub the oil from the palate after each mouthful, and the toasted bread notes from the yeast echo the golden crust. It is an excellent choice for a party or an aperitivo with a whole tray of focaccia.

Salice Salentino DOC: A dry Negroamaro red from the Salento peninsula, with ripe plum, a hint of bitter almond and soft, rounded tannin. Served slightly cool, at about 60°F (16°C), it meets the sweet tomato and the salty olives with matching fruit and never weighs down a light bread.


Storage & Reheating


Focaccia barese is at its best in the first two hours. After that, keep it at room temperature loosely covered with a clean towel for up to 24 hours. A sealed bag traps moisture and softens the crust, so avoid it. Do not refrigerate it: the cold makes the crumb stale much faster.

For longer storage, cut it into squares, wrap them individually and freeze for up to 2 months in a sealed freezer bag with the air pressed out.

To reheat, place slices directly on the rack of an oven at 400°F (200°C) for 6 to 8 minutes, or frozen ones for 12 to 15 minutes. The base will crisp up again and the tomatoes will warm through. Never use a microwave: it turns the crust rubbery and the crumb gummy.


Nutrition


Per slice, based on 8 slices:

  • Calories: 305 kcal

  • Total Fat: 14 g

  • Saturated Fat: 2 g

  • Trans Fat: 0 g

  • Unsaturated Fat: 11 g

  • Cholesterol: 0 mg

  • Sodium: 560 mg

  • Total Carbohydrates: 39 g

  • Fiber: 3 g

  • Total Sugars: 2 g

  • Added Sugars: 1 g

  • Protein: 7 g

  • Lactose: 0 g

  • Principal micronutrients: potassium, vitamin C, vitamin E, manganese, selenium, iron

These figures are estimates and vary with the amount of oil the dough absorbs.


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